“A” for Apocalypse Child
Cinema Evaluation Board hails surfing film as a potential hit
Arkeo Films’ newest production Apocalypse Child continues to receive acclaim as it is the latest Filipino film to receive a grade of A from the Cinema Evaluation Board (CEB). The grade entitles the movie, which opens in cinemas on October 26, to get a 100-percent tax rebate.
Apocalypse Child tells the story of Baler-based surfing instructor Ford (played by Sid Lucero) who is supposed to be the son of a famous American director. One summer, this often-told tale comes to fore as the instructor’s childhood friend Rich, now Congressman of Baler (played by RK Bagatsing), has pulled strings for the director to acknowledge Ford. Chona (Ana Abad Santos), the mother of Ford, is ecstatic. This development comes at a time when Rich is engaged to be married to Serena (Gwen Zamora), and Sid has a romantic affair with a young Fil-Am tourist Fiona (Annicka Dolonius).
Apocalypse Child cast members Sid Lucero, RK Bagatsing, Ana Abad Santos, Annicka Dolonius, with co-writer
The Cinema Evaluation Board’s summation noted the excellence of the ensemble cast. The CEB said, “Aside from Lucero, also a standout was Gwen Zamora, leagues away from her ‘Bubble Gang’ persona as she evokes a simmering sexiness… The support was also very good, from RK Bagatsing… to Ana Abad Santos as Frod’s mom… to Annicka Dolonius and Archie Alemania in their respective depictions of wasted but still hopeful youth.”
The Board hailed the film’s production values. It described the editing as “sufficiently contained,” the cinematography as “imaginative,” and the music by Armi Millare of the band Up Dharma Down as “apt as it captured well the melancholic surf vibe.” The CEB praised the production design by artist Christina Dy for maximizing the scenic locale “to the hilt.”
The members of the CEB also gave kudos to director-writer Mario Cornejo and co-writer-producer Monster Jimenez. The summation made a reference to the duo’s previous work, the 2005 Cinemalaya film “Big Time,” when it stated, “It is films like (Apocalypse Child) that remind us that there is always a fresh way of telling a story, and like the director’s maiden project with Monster Jimenez, Big Time, it is a potential sleeper and helps keep the indie spirit alive.”
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